Theatred

Reviews

Written for Everything Theatre

On Sundays, Mondays and Tuesdays, a visit to the Finborough Theatre will take you back to 1950s rural Scotland. To be precise, it will drop you into the fictional mining village of Crult, where Mr Gillie is the headmaster of the small school, and where his radical ideas about education are not always appreciated by his neighbours or the education board. Gillie’s track record with students he has encouraged to go out and follow their dreams is more miss than hit; one of his ex-prodigies, for example, has indeed made his way down to London – all the way to Wandsworth Prison. So when Gillie’s latest pet project Tom, with girlfriend Nelly in tow, decides to go to the big city to become a famous playwright, Gillie’s position becomes rather precarious.

Written for Everything Theatre

Ramps on the Moon is a long-term collaboration between a number of theatres and theatre companies that aim to create shows that are accessible by and inclusive of people who are d/Deaf, disabled and visually impaired. On their latest outing, The Who’s 1969 rock opera is given a vigorous makeover that mercilessly ties the story, starting in WWII, to the present day.

Written for Everything Theatre

I’ll happily admit that I put my name down for Death of the King purely on the basis of its summary: ‘an immersive punk murder mystery’. It’s an unlikely combination for sure, but in the hands of immersive theatre company ImmerCity, it does not disappoint.

Written for Everything Theatre

Thank god for air conditioning. On one of the hottest days of the year so far, I would normally not be looking forward to spending my evening in a tiny black box theatre above a pub. The Finborough Theatre, however, is one of those rare gems that have both excellent programming and excellent aircon. (All hail the Finborough Ice Dragon, who, by the way, has his own Twitter account.)

Written for Everything Theatre

Probably the best known of John Webster’s plays, The Duchess of Malfi has everything you’d expect from a Jacobean revenge tragedy: incest, corruption, madness and a rather spectacular body count. You’ve guessed it, you’re not in for a cheerful evening with this new production by Scena Mundi.